In camera by Arian Christiaens top gets patina and signs of

gets patina and signs of use depending on the intensity of use

with Erwin Schrödinger’s in 1944 and Lynn Margulis & Dorion Sagan’s in 1995 being only the most prominent ones

Brown Stone

24 x 32 cm

all the time – often on scraps of paper that have filled notebook after notebook

In camera by Arian Christiaens top gets patina and signs ofWith In Camera Christiaens juxtaposes her own relationship, her own identity and her own images with those of her parents. In doing so, she calls into question the traditional relationship between men and woman and between photographer and model, both over time and within her own family history. Gazes cross and are reflected within the image, outside the image and through the image. Its about different perspectives in different times, about