Richter's Skyscraper by Nico Tracey Kamisaka Sekka treating old photographs not as

treating old photographs not as fixed records but as raw material for imagining forward

A fine art print built for impact on the wall

"Otis Redding Jazz Concert" channels the visual language of mid-century American concert graphics — bold typography

the composition's strong lines and vivid color fields are reproduced with exceptional sharpness on a smooth matte surface

Each coloured band tells a story of a river that never stood still

Richter's Skyscraper by Nico Tracey Kamisaka Sekka treating old photographs not asRichter's Skyscraper layers photographic and graphic elements into a collage that interrogates how we picture the vertical city. Nico Tracey fragments architectural imagery facades, grids, structural lines and reassembles them into a composition that is part document, part abstraction. The vertical thrust of the skyscraper form is preserved even as the image fractures it, creating productive tension between legibility and formal disruption. The tonal