we believe that The Confidence-Man is America's first postmodern novel—game-like
Coover’s work playfully enacts a "(melo)drama of cognition" that mirrors the reader’s own desire to interpret and make sense of texts in unequivocal ways
and possibilities taking their places as elements of a fiction in the narrator's mind
which omitted the verb "to be
Édouard Levé's unusual and uncompromising autobiography
Those Whom I Would Like to Meet Again import_2021_09_03_212112 we believe that The Confidence-ManIn the place of plot, which the author claims to have had "shot and buried with the proper honors," the reader finds a dense, subtly interwoven structure of memory and reality, banalities and fantasy, all served up with a good dollop of absurdity . . . In ten of her best essay stories, Giedra Radvilaviciute travels between the ridiculous and the sublime, the everyday and the extraordinary. In the place of plot, which the author claims to have had