Komposition by Otto Freundlich Graphic Design generating visual rhythm through contrast

generating visual rhythm through contrast and movement

This is Hasui at the height of his shin-hanga period

drawing on the illustrator's instinctive

forms outlined with child-like directness — gives the composition an otherworldly stillness

The work carries the meditative calm that defines her approach: balance

Komposition by Otto Freundlich Graphic Design generating visual rhythm through contrast'Komposition' distils Freundlich's mature abstract language into its essential elements: interlocking colour planes, no hierarchical centre, no depth illusion. The composition spreads laterally and evenly, refusing to privilege any single zone of the surface a democratic arrangement of form that reads as both rigorous and instinctive. The palette is characteristically bold, each colour chosen for its structural role rather than its descriptive