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The result is a postcard book with a good pinch of self-irony and a proper wink at the elitist habitus of both scenes
one of the most original
Butler offers a brilliant reworking of the body
25 × 18 cm
An introduction by Boris Groys contextualizes Kojève’s life and writings
Nathanael: Pasolini's Our homeware The result is a postcardNightboat, 2018, softcover, 80 pages, 20 x 15 cm The body of the filmmaker is itself a discrepancy. This may be one of this books claims, if it were to advance something like an argument. Instead it writes its way through to a dry swamp, in the elusive company of Pier Paolo Pasolini, Mizoguchi Kenji, and the albatross, evincing procedures of extinction that owe something to both translation and photography. Its armament, approximating the latent