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and witness to the Watts riots in 1965
We love the way her work encourages viewers to consider bodily transformation and regeneration
the book includes ephemera
and the politics of black nationalism
Sean Gerstley in denim glaze
Birch series (Pot I), 2022 francesca-wade and witness to the WattsCaroline Jones' use and manipulation of material, from Mozart alabaster, to serpentine stone, to oil on canvas shows great range and flexibility all at once as she reacts to the material in the moment, adjusting her process with humility and grace. Theres a worldliness to her work, a clear expression of her extensive global travels and an empathy that emanates in what she creates.
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