Keith Haring in 3D contemporary dance I Came For Couscous is

I Came For Couscous is an independent magazine highlighting unique voices and creative minds from Arab cultures and backgrounds

while a new Preface by Richard Stratton discusses Kandinsky’s career as a whole and the impact of the book

zwei Erzählungen: Vorwort + Ultraromantik I + Ultraromantik II + Ultraromantik III + Der Sexualkristall + Formalin = ULTRAROMANTIK

Zwirner reveals stories of artists

produced to coincide with two exhibitions at the Aargauer Kunsthaus in Aarau and the Ferme des Tilleuls in Renens

Keith Haring in 3D contemporary dance I Came For Couscous isFrom the moment he landed in NYC in 1978, Keith Haring took three dimensional objects whether discards on the street, household appliances, or subway walls as his atypical canvas. From cars to vases to refrigerators and even a sarcophagus, these could often be rich sites of collaboration with artist contemporaries including Jean Michel Basquiat, Kenny Scharf, and LA2 (Angel Ortiz) among others. Extending his unmistakable mark making to clothes, stage