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Brice's women stand as empowered figures driven by their own desires
The idea of folk horror intrigues Licorice
who suffers from profound psychological disorders
The 1960s exert a special fascination in modern art
Berlin (2018)
Ivone Margulies: Nothing Happens: Chantal Akerman's Hyperrealist Everyday baseball cards Brice's women stand as empoweredDuke University Press, 1996, softcover, 286 pages, 15. 24 x 22. 86 cm Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles is widely regarded as the most important feminist film of that
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